Wagner: An Introduction to Der Ring des Nibelungen

Wiener Philharmoniker,Wiener Philharmoniker，Sir Georg Solti于1968年1月1日发行了专辑《Wagner: An Introduction to Der Ring des Nibelungen》。

专辑歌曲列表

发行时间：1968-01-01

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 1. Of all great musical compositions (Ex.1-4) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 2. The fundamental symbol (Ex.5-11) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 3. Returning now to the Nature Motive (Ex.12-16) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 4. A number of further motives (Ex.17-21) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 6. So much for nature (Ex.26-38) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 7. The cause of the deterioration (Ex.39-44) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 8. The other transformation (Ex.45-48) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 9. Several other motives (Ex.49-52) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 10. Two further motives (Ex.41,53-61) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8) (Ex.62/8) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 12. Along another, more complex line (Ex.69-72) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 13. In Act 2 of "Walküre" (Ex.69,73-75) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 14. Returning now to Act 2 of "Walküre (Ex.76-79) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 15. Love is another of the central symbols (Ex.80-83) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 17. Freia's motive has 2 independent segments (Ex.88-91 - Deryck Cooke&Wiener Philharmoniker&Georg Solti
18. The label "Flight" (Ex.92) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 20. A little later in this interlude (Ex.99-103) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 21. The other new motive (Ex.104-09) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110- - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 23. The characters in whose lives (Ex.115-120) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
24. One further motive belongs (Ex.121) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 25. The sword motive recurs (Ex.122-130) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40 - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8) (口白) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 37. In the final scene of "Götterdämmerung" (Ex.181-3) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91) - Deryck Cooke&Wiener Philharmoniker&Georg Solti
Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 40. This masterly way (Ex.192-3) - Deryck Cooke&Wiener Philharmoniker&Georg Solti