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发行时间:
2013-03-26
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903 - James Friskin
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) - James Friskin
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) - James Friskin
Italian Concerto, BWV971: i. Allegro - James Friskin
Italian Concerto, BWV971: ii. Andante - James Friskin
Italian Concerto, BWV971: iii. Presto - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der F - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlic - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch se - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Posti - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione - James Friskin
Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin - James Friskin
Toccata in C Minor, BWV911 - James Friskin
French Suite No. 3 in B Minor BWV814: i. Allemande - James Friskin
French Suite No. 3 in B Minor BWV814: ii. Courante - James Friskin
French Suite No. 3 in B Minor BWV814: iii. Sarabande - James Friskin
French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio - James Friskin
French Suite No. 3 in B Minor BWV814: v. Gavotte - James Friskin
French Suite No. 3 in B Minor BWV814: vi. Gigue - James Friskin
French Suite No. 4 in E-flat Major, BWV815: i. Allemande - James Friskin
French Suite No. 4 in E-flat Major, BWV815: ii. Courante - James Friskin
French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande - James Friskin
French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte - James Friskin
French Suite No. 4 in E-flat Major, BWV815: v. Air - James Friskin
French Suite No. 4 in E-flat Major, BWV815: vi. Menuet - James Friskin
French Suite No. 4 in E-flat Major, BWV815: vii. Gigue - James Friskin
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme - Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, - Felix Prohaska&Alfred Uhl&Choir of The Bach Guild&Orchestra of The Bach Guild
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt - Felix Prohaska&Orchestra Of The Bach Guild&Choir Of The Bach Guild&Alfred Uhl
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, - Anny Felbermeyer, Hans Braun, Choir of The Bach Guild, Orchestra of The Bach Guild&Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil - Orchestra Of The Bach Guild&Anny Felbermeyer&Choir Of The Bach Guild&Hans Braun
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen (' - Choir of The Bach Guild, Orchestra of The Bach Guild&Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') - Felix Prohaska&Orchestra Of The Bach Guild&Choir Of The Bach Guild
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir - Hans Braun&Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! - Anny Felbermeyer&Hans Braun&Choir Of The Bach Guild&Orchestra Of The Bach Guild
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist m - Anny Felbermeyer, Hans Braun, Choir of The Bach Guild, Orchestra of The Bach Guild&Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen - Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden - Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt - Anny Felbermeyer&Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn - Alfred Uhl&Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg - Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm - Felix Prohaska&Orchestra Of The Bach Guild&Choir Of The Bach Guild&Hans Braun
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest - Orchestra Of The Bach Guild&Anny Felbermeyer&Choir Of The Bach Guild&Alfred Uhl
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl - Choir Of The Bach Guild&Orchestra Of The Bach Guild&Felix Prohaska
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein - Vienna State Opera Orchestra&Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sü - Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt - Vienna Chamber Choir&Michael Gielen&Harald Hermann&Vienna State Opera Orchestra
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor - Margit Opawsky&Vienna State Opera Orchestra&Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Enge - Margit Opawsky, Vienna State Opera Orchestra, Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt - Hilde Rössl-Majdan&Vienna State Opera Orchestra&Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor - Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht - Vienna Chamber Choir&Michael Gielen&Harald Hermann&Vienna State Opera Orchestra
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den sel - Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir&Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr - Vienna State Opera Orchestra&Vienna Chamber Choir&Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir - Vienna State Opera Orchestra&Vienna Chamber Choir&Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib - Vienna State Opera Orchestra&Vienna Chamber Choir&Michael Gielen&Hilde Rössl-Majdan
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es fa迟 ein heilger Leib - Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir&Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken - Waldemar Kmett&Vienna Chamber Choir&Michael Gielen&Vienna State Opera Orchestra
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