by Scott YanowEliane Elias' debut for Blue Note is a bit of a disappointment. Having established her credentials as a fine acoustic pianist, she switched back to her less personal synthesizer work and contributed some rather mundane wordless vocals. The music (which includes some solos from tenor saxophonist Michael Brecker and Randy Brecker on flugelhorn) is not terrible, but it lacks a sense of adventure and sounds as if potential radio airplay was its main goal.