In May 2016, I went to the Royal Palace of Aranjuez right after I was awarded the best interpretation of Joaquin Rodrigo Concertos (Special Award to the best interpretation of Fantasia para Gentilhombre granted by the Victoria and Joaquin Rodrigo Foundation). I was walking along the palace when the most ecstatic part of Concierto de Aranjuez came to my mind. I tried following the footprints of Joaquin, feeling what he might have felt at his time, experiencing a combination of Spanish historical architectures and classical music, and dreaming about playing the famous concerto at this very place someday. Joaquin Rodrigo completed his greatest masterpiece “Concierto de Aranjuez” in 1939 in Madrid, which brought him great fame as one of the greatest representatives in Spanish music spectrum, along with I. Albeniz, E. Granados, M. Falla, J. Turina. And his works helped raise the classical guitar to a historic high recognition. The two concertos in the album mean quite differently to me. It was through performing F