When I started to think about new album, I wanted to keep up
with what I have started to explore in True Delusion release
and continued in Stuffed With/Out. I wanted to introduce
something new to the sound -- make it more acoustic than
electronic. Believe me or not, I wanted to make a jazz record
(my way of course) - cinematic, naive and visionary album.

In the new album I choose piano as the main and solo
instrument and wanted to make it sound in minimalist, melodic
and overtone way. So, when I had some amount of free time in
rehearsal rooms of Stockholm's student chummery I started to
make first piano sketches. After those sessions and also
collecting piano outlines I made later in Kharkov I decided to
continue with an appropriate jazz attribute -- drums. After
few unsuccessful conversations with local drummers I decided
to ask Jason Kahn and Martin Brandlmayer for their
participation as I really appreciate their stuff and approach.
After their part was done I still had some tracks that wished
to have a percussion part too, so I decided to try that out
myself and bought a snare and a set up of cymbals. By that
time I had wonderful field recordings of insects I made on
half-island of Crimea (Ukraine) and they fitted very well with
the rest and also with my usual instruments: guitar,
glockenspiel, mouth harmonica, auto-harp, Tibetan bowls and
objects.