The Passing
Jack Hardy is "a more literate Celtic Townes Van Zandt, grave in his tone and generous in his ideals, as rooted in the present soil and sky of Ireland and America as he is fascinated by the legends of the past" (Roy Kasten, St. Louis Riverfront Times, February 3, 1999).
It is a strange mix of themes ranging from the American West to the ballads and jigs of Celtic ancestors that somehow seems to make sense in the musical world Jack Hardy has created. And it is a separate world to which the listener is transported; a timeless place inhabited by tinkers and cowboys, saints and sinners, elves, virgins and crones. From his extensive travels and reading he has forged an endearing non-academic approach to literature, one that is more at home in the pub than in the classroom. "He clearly seems to enjoy making his listeners think. He may dare his audience to figure out what he is saying, but he also credits them with the intelligence to do so" (Tom Nelligan, Dirty Linen, 1998).
In Europe, where Hardy has toured exte