by Bill DahlWhooping blues harpists nearing the age of 50 with number one R&B hits to their credit were predictably scarce in 1959. Nevertheless, thats the happy predicament Buster Brown found himself in when his infectious Fannie Mae paced the charts. Even more amazingly, the driving number made serious inroads on the pop airwaves as well. The Georgian, whose harp style was clearly influenced by Sonny Terry, had never made a professional recording (there was a 1943 Library of Congress session that laid unissued at the time) before Fire Records boss Bobby Robinson brought the short, stockily built Brown into a New York studio in June of 1959 to wax Fannie Mae. Browns reign as an unlikely star was short-lived. He managed minor follow-up hits on Fire with a rather ragged 1960 revival of Louis Jordans Is You Is or Is You Aint My Baby and his 1962 farewell bow, the effervescent rocker Sugar Babe. A subsequent 1964 stop at Chicagos Checker Records produced a glistening update of the old blues Crawlin Kingsnake that sank without a trace.