by Richie UnterbergerThe Chordettes were one of the longest-lived vocal groups with roots in the mainstream pop and vocal harmonies of the 1940s and early 1950s. Although the four womens arrangements owed more to the Andrews Sisters than doo wop, they did, unlike many of their peers, prove fairly adaptable to the rock era. First establishing themselves with the huge (and non-rock) pop hit Mr. Sandman in 1954, they continued to chart in the last half of the 1950s and the early 1960s, often with covers of rock and R&B songs. The #2 1958 hit Lollipop was the biggest of these. Although the group sound (at least in retrospect) among the Whitest and squarest of rock artists, they introduced enough rock into their repertoire and production to sound more contemporary than they had on discs such as Mr. Sandman. Jinny Osborn was exposed to harmony singing via her father, who was president of The Society for the Preservation and Encouragement of Barbershop Quartet Singing in America Inc. She formed the quartet with three college friends, and they became regulars on Arthur Godfreys television show for four years in 1949, singing a cappella in the barbershop style, and recording for Columbia. Godfreys musical director, Archie Bleyer, married the Chordettes bass singer, Janet Ertel, around the same time he began his record label, Cadence. On Cadence the group began to record with musical backing, though the barbershop elements are still well to the fore on Mr. Sandman. Originally a B-side for Vaughn Monroe, the bouncy, somewhat novelty-oriented tune (complete with a deep-voiced Yes? from a voice representing Mr. Sandman at one point) made #1 for seven weeks. The Chordettes were among the White pop acts that covered rock and R&B songs in the mid-1950s for the pop market, as early rocknroll began its successful threat to take over the mainstream audience. In so doing they managed to split sales with the Teen Queens on the early doo wop classic Eddie My Love, which made the Top Twenty in versions by both groups. They also covered a song by Ronald & Ruby, Lollipop, in their characteristic full round-like arrangement, complete with popping sounds. This was their best rock, or at least rock-ish, tune, though they had continued to record straight pop songs too, and have substantial hits with singles like Born to Be with You and Just Between You and Me. In the late 1950s and early 1960s, the Chordettes continued to alternate between pop songs and ones with an eye on the rock market, including covers of the Coasters Charlie Brown, Paul Ankas Lonely Boy, and Dodie Stevens Pink Shoelaces. They even did some recordings with King Curtis on sax. After Lollipop there were a few more hits: Zorro, No Other Arms, No Other Lips, and Never on Sunday. They disbanded shortly after Never on Sunday made the Top Twenty in 1961, however, when Jinny Osborn left and the group couldnt find a replacement with whom they were happy.